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First, my apologies for this very long post, but……

Please, please read this pervasive story, written by Bonnie Cox You are not allowed to view links. Register or Login

It’s written as an intro about what Bonnie believes what Michael is trying to expose to us for years about sexual child abuse, the abuse of children in any form, and very, VERY likely, the sexual abuse of Michael and his brothers when they were just little children. I actually cried and was heartbroken, because I think she is so very right about it. I urge you to read the whole blog (link above). I also urge you to read her latest blog You are not allowed to view links. Register or Login

I will copy a few of the paragraphs below this story, that turned my stomach and my heart.

She stepped out into the street, greeting the sun which sent sharp darts of glare into her eyes as it reflected off the brilliant surfaces of windows and fixtures.   She squinted and smiled against it.  She hesitated before choosing a direction. She then stepped down and began to walk.

What made her decide to take a walk as soon as she arose that morning began to invade her thoughts.  It wasn't her usual routine.  As a matter of fact, she never walked the streets in the morning.  But today, she felt something else in her, driving her.

Other thoughts stalked behind her, trying to catch up and plant themselves in her brain.  She actually began walking faster to avoid them, but they ran, ran faster and jumped.

Turning the corner, the street suddenly changed.  It was no longer the glistening and pristine surroundings she met as she left her abode.  She collided into another reality altogether.

Litter and debris were strewn across the street, blowing in a previously non-existent gust of air.  The smells were that of food left out in open barrels and the people once well dressed and walking with purpose were now clad in dull rags, moving listlessly along the buildings.

She turned, looking for the safety of the street she just left, her world, but now it was nowhere to be found.  Why had she come walking in the first place?  Was she dissatisfied with the environment of privilege from which she came?  She didn’t know where to go from here, so she stopped and looked around.  Nothing was familiar to her.

To her left was the building that just a few moments ago rested on a street that was clean and host to people who had hopes, meaning, purpose.  She walked back to the corner but the same desolation existed in the direction from which she came.

Trying to understand she slowly turned, bewildered, shaking her head.   Where was she?  How did she get here?  WHAT was she doing here?

As she turned to continue walking, her foot caught something and she stumbled and fell.  She caught herself on her hands and her knees, nearly falling on a little boy. Her palms stung against the abrasion of the oily sidewalk as she looked up into the eyes of him who would tell her where she was.

In those eyes she saw at first gentleness, pride and potential.  The brown cheeks under the eyes were clean and unblemished, wholesome.  She wanted to touch them but she was transfixed in a prone position.   She could not tear herself away from his eyes.

As she continued to see, the eyes told her another story.  Behind the gentleness and potential there was a deeper pain.  Layer by layer she was drawn in. She became acquainted with terror.  Deeper in there was torment, abuse and torture.

She scrambled backward on the sidewalk but the boy grasped her wrist.  In the depths of his dark brown irises she saw movement which turned into shapes.  She followed them as they beckoned her, “learn”.

The world under the potential, pride and gentleness harbored another world corrupted by iniquity and malevolence.  It was not a child’s world but here it existed, in the soul of this one. 

In his eyes the moving and shifting shapes became multitudes of people in all colors, builds and ages.  They were jumping up and down, all turned in one direction, all waiting for something to appear before them.  They cheered, called out, exclaimed for the one they called Love.

Lights appeared at the front of the crowd.  She floated above all of them as if she was going to be given a closer look.

On the platform the lights danced and maneuvered.  The crowed pressed closer, mashing the people at the front toward the platform.  The din calmed to a low murmur of thousands of voices, then an unsettled, electric silence. 

Suddenly the lights dimmed and one lone white light made a spot on the platform above them.  The anticipation began to build like pressure in balloon being fed air as everyone waited for the “bam”.

The silence was vociferous.  The quiet before the storm.

Suddenly she saw sparks and blinding light as a lone figure dropped down onto the platform seemingly from nowhere.  He landed on his feet, crouched to break the fall, then slowly standing strait.  He had fists at his sides, big lenses on his eyes and was dressed in glittering, magnificent costume.   The throng of people became raucous.  And she was above them all, a part of it all but unseen.

She was being drawn above them closer to the platform.  The man in costume was still unmoving as the crowd’s collective frenzy became hysteria.  People were falling out and disappearing, being trampled as the gathering crushed those at the front wall trying to get closer.  She could see there was a wide space between the wall and the platform where their idol stood still motionless.

The hysteria matured and calmed into a steady, static din.  People were still pressing to the front against the wall, but they didn’t want to miss one movement of the one they came to see.

Slowly the man in costume brought his hands up and removed the frames from his eyes.  When he did, he looked up and directly at her.  The jolt of familiarity hit her directly in the heart.

The man put his hand up to the crowd, as if to tell them to quiet themselves.  He looked out at them.  One tear escaped his eye and slid down his cheek. Then another fell from the other eye . . . than another, and another.  With his hand up, palm facing the assembly he looked down.  Her eyes followed.

Below him, between the platform and the wall were hundreds of thousands of children, all of them in different states of misery.  In the hum of the crowd you couldn’t hear them.  In the brilliance of the show, the crowd couldn’t see them, but the one on stage was trying to direct their attention to them.

The children all had names:  Abandoned, tortured, raped, drugged, electrocuted, suppressed, illness, disease, abused, neglected, poverty, hated, tormented, manipulated, terrorized, apathy, hopelessness, and on and on.”

The children, all different ages, colors and sizes were looking up.  They saw the one on stage, the saw her floating above them, and they could see the mob of people, but the mob did not see them.  They just pressed and crushed each other toward the wall, trying to get to the one called Love.

His tears fell.  He had done this hundreds of times but no one, NO ONE would hear.  They didn’t understand.  Love was not a possession, he was a gift to be shared, but people were not sharing him.  They were coveting and keeping him to themselves.
They turned Love into something to be fought over, used or turned into an object of lust.  They didn’t understand that Love only grew if the seeds could be fertilized in new ground.

The one called Love beseeched the masses.  His song was not heard no matter how much he gave to it. 

The throngs continued to push and push to get to him.  The wall began to move.  Sudden terror filled his eyes.  She saw him mouth the words “No, not me . . . help them!”

She looked down into the pit and the children were crying.  Creatures were pulling on them, trying to drag them down.  Some of them were disappearing beneath the squirming of other children.  The wall began to rock as the mobs pushed against it, not seeing the children, not caring.  They wanted him, but his message was drowned out in the sensational frenzy surrounding him.

The one called Love fell to his knees on the stage.  He was reaching down and pulling children up onto the platform, sometimes two at a time, as fast as he could.  He kept looking toward the wall which was dangerously close to falling on them and closing them off forever.  He was crying as he worked frantically.

She was almost directly in front of him now, hovering above the children.  She was crying.  Her tears were falling on them.  Some of them felt it and looked up at her. 

The one called love saw her.  His eyes were filled with pain as he continued to pull the children up one by one.  His face said it all . . . they don’t care.

She wanted to help but she didn’t know how to get down to them.  She tried moving through the air toward them but she stayed at the same position, the same level.  She looked at him.  She said to him without moving her lips, “I want to but I don’t know how . . .”

He looked at her with an excruciating hopelessness.  It tore at her. She turned toward the multitude, then back toward him.  He was tiring but continued to pull children up onto the platform.  The wall was beginning to give way.

He looked at her one more time.  In her head she heard, “I need help.  Tell them!”

Her face crumbled.  She turned toward the crowd.  If they didn’t hear him they wouldn’t hear her.  Fear built up into her and she began to sob.  Powerless to do anything else she prayed.   She squeezed her eyes tight and she prayed.

When she opened her eyes, she was almost nose to nose with the one called Love.  She was looking into his eyes.

“I prayed” she tried to whisper.  She looked at him.  He was drenched in sweat and trying to breathe, but he was resting.  Instead of the pain filled face she saw a slight smile.

In those eyes she felt the sensation of being pulled backward.  The vision of the one called Love, the platform, the pit of children, the wall and the multitude swiftly receding into a thin dot of light as she was pulled back through the darkness.

She found herself being drawn out of the eyes of the boy on the sidewalk.  His expression was that of the one she left.  He was peaceful and the slight smile in his eyes and on his lips told her that something had been done.

Finally she could speak, “Who were those children?”

The boy answered with a soft, smokey voice, “The children?  They are called innocence.”

She was bewildered, she asked another question, “Who were all the people in the crowd?”

He replied gently, “they are called indifference”.

She sat back on her hip on the sidewalk.  She took a good look at the little boy who was probably about ten.  His hair was like brillo and black.  She wanted to touch his hair, but she kept her hands in her lap.  He must have sensed her because a small smile lit up his face.  She thought he was beautiful.

She asked him one more question . . . “Who was the man in the lights on the platform?  The one helping the children?”

The smile on the boy’s face slowly faded and his eyes seemed to grow in size and depth.  A look of sadness mixed with premonition took over.

“The one you saw helping the children?  Well, he is called Hope.”

“Oh”, she whispered. 

She looked down at the sidewalk.  She wondered how she would help the children she saw in the little boy’s eyes.  She felt his little hand on hers.  She looked up at him and was met by a look of understanding.

“You are called empathy” he said to her.  “When you seek others like you and you gather with them, then all of you shall be called witness.”

He leaned toward her, “When all of you witness, Hope will again be present among them.  Hope can be delivered through each of you just by telling his story.”

She smiled. She wanted to kiss his cheek but was afraid.   She didn’t want to scare him off.  She saw him smile which made innocence take over his eyes.  He looked at her, he kissed the palm of his own hand, then placed it gently on her cheek.

“In your zeal to help Hope, don’t forget what Hope was for.  They can’t receive Love through indifference . . . it has to come through Hope.  Empathy gives birth to Hope.”

The little boy stood up, looking down at her still sitting on the sidewalk.  She saw the face of Hope before it had been abused.  He smiled and as he turned to walk away, she said, “Wait!  Can I ask you one more question?”

He turned and stopped.  His face said he already knew what she would ask.  “How do I receive Love through Hope?”

He looked down for a minute, then back up at her.  “Witness”, he said, “With Love

Some excerpts from the blog:

This has been going on for a very long time,” concurs former “Little House on the Prairie” star Alison Arngrim. “It was the gossip back in the ‘80s. People said, ‘Oh yeah, the Coreys, everyone’s had them.’ People talked about it like it was not a big deal. 
“I literally heard that they were ‘passed around,’” Arngrim  said. “The word was that they were given drugs and being used for sex. It was awful – these were kids, they weren’t 18 yet. There were all sorts of stories about everyone from their, quote, ‘set guardians’ on down that these two had been sexually abused and were totally being corrupted in every possible way.”

“People don’t want to talk about this because they’re afraid for their careers,” says Peterson. “From my perspective, what Corey did was pretty brave. It would be really wonderful if his allegations reached through all of the protective layers and identified the real people who are a part of a worldwide child pornography ring, because it’s huge and it respects no borders, just as it does not respect the age of the children involved.”  Fox News
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“We covered MK Ultra and the birth of Hollywood as a tool for mass mind control.  We’ve spoken of Bryce Taylor’s book “Thanks for the Memories” which describes her life as a mind control slave working for the CIA to gather information, plant information, and set up targets for blackmail. She began as a child and was both the victim and a witness to child sexual and physical abuse and psychological abuse.

In her book she describes Bob Hope as being one of her “owners”.  Reading her account of remembering certain events in her childhood, one of them was the description of sitting in a Limo outside an event that Bob Hope attended.  With the door to the vehicle open, she overheard Hope and Elizabeth Taylor discussing her, outside the limo.  She writes that Liz Taylor looked past Hope into the limo at her, then looked at Bob Hope and said “you couldn’t even find one with breasts? She looks like a child!”

This is where this gets hard (as if it isn’t already).  Bryce Taylor then describes a VERY YOUNG Michael Jackson and his brothers being sponsored by Bob Hope (who in her book describes Taylor’s familiarity with Hope’s slaves.)  She states at the time that Michael was only four or five, which would match up with some of Michael’s interview’s where he said he actually started working at age five or six, not the age of eleven where he became famous.

]“Michael Jackson was just a little boy of four or five when I accompanied Bob Hope to a place where they were filming up-and- coming talent for television. Bob told me he supported and sponsored the Jackson’s, getting them a professional foot in the door. Their father brought the boys in and I remembered seeing them taken into a side room where bright lights were on.

They all had to drop their pants and bend over before their performance a big man raped each one of them in a lineup. Then they were taken to a different room and dressed in little suits and sent onto the stage to perform. Due to the mind control I was under, I’m not sure exactly where we were, but feel that it was the early days of the Ed Sullivan Show. I watched as Bob, dressed in a grey pinstripe suit and bow tie, with white shoes, shook hands with Ed; and then the Jackson boys went on. They were made into a sensation and famous, on purpose, so that they could be used in the future to influence large audiences.”

She continues in her book, “Bob was often the connection for new entertainment. The Council used his connections for their own interest and got ‘key’ entertainers in place for future use. Many were robots like me. I saw many of them get hurt. I never saw Bob get hurt though.
The Jacksons were hurt; I was witness to their abuse. That first time when they performed, Bob got them onto the show and then we left in the limo and watched from the television inside. He told the driver to drive around until the show was over. Then Bob told me, “See how easy it is to be a star?”

I think most would agree that the inherent love that is part of Michael Jackson’s soul essence shines through for the world to see. In spite of the programming themes in some of the songs he sings, as I was recovering I often held onto the words he sang, the lyrics reminding me, “You are not alone,” when I felt so very alone.

To Michael, I extend a hand and say you also are not alone. Now there is a way out of this insanity…”  Source – “Thanks For the Memories” by Bryce Taylor, Chapter 26, pgs 238-239

Jermaine Controversy Over 2001 Book Proposal

Here is another piece of information that matches this.  Earlier this year, Jermaine was challenged by an unnamed journalist about a manuscript Jermaine defended that never existed, or at least, the SUBJECTS publicized did not exist.
The SUBJECT MATTER was a portion of this book that was publicized, claiming that Jermaine said he saw his father take his brother Michael into these meeting rooms with important looking business men.  In this “leaked” excerpt, Jermaine allegedly stated that he did not know what happened in there but that Michael was sick for days afterward.
Jermaine went after Stacy Brown who is the one who proliferated the story all over the internet and the press, but now there is a problem.  Because how well does Stacy Brown know Bryce Taylor?  How do all these roads traveled by different people keep ending up in the same place?

“Speaking on US TV show LARRY KING LIVE, the 51-year-old dismissed stories published in the New York Daily News in which the publication claimed to have an eight-page synopsis dating from 2003 for his unpublished book LEGACY: SURVIVING THE BEST AND THE WORST. Jermaine told host King the alleged manuscript, which contained numerous revelations about Michael, was faked by the book's co-author STACY BROWN and that he is considering legal action. However, Brown has warned Jermaine that he has his confessions on tape and that he took is consulting his lawyer. He says, "He'd be crying, spilling his guts, pouring his heart out for hours on end. I thought, 'Man, this is really deep.' "I've got Jermaine on tape, and the tapes are being turned over to attorney MEL SACHS.”  Source 

I believe Jermaine did not write this.  But SOMEBODY that knows what happened did.  SOMEBODY is covering something up and while Jermaine may know for a fact if Stacy Brown is a liar, can he also say that Bryce Taylor is one?
Bryce Taylor is exposing what our government is doing.  Jermaine did the same thing on Saudi T.V.  They’re on the same side.[/

Remember what Conrad Murray said in his documentary? He was telling about the horrible, horrible things Joe did to Michael, even much worse then we already knew about. That it would shake the earth? And what about what Michael told about himself in his lyrics? I'm scared and I'm afraid but if you think about it, think about what Michael told Schmuley about the horrible things he'd seen and he just couldn't understand it. If you think about all those things, could this be true? To expose the worldwide pedophilia ring?????

Guys, I have been thinking about the following since the retweet of Paris about the extinction of the dinosaurs, and the mention in the TIAI thread about September 11, about referring to the Twin Towers as ‘Two aging dinosaurs’. The two seems nothing to have to do with each other on first thought, but maybe indeed they are.

I have asked myself this question a thousand times: What has been the main reason for Michael to hoax his death? What is so important (and was he so threatened) that he, his family, children and close friends are involved in a conspiracy for which he provides a script that they have to follow for over two years now and what daily needs to be modified? What reason is so important that the world can understand why Michael did what he had to do and what can change the world? What reason is big enough not calling him a freak again?
Was it only all for love? Or was there also a much bigger reason behind those words?

I've thought about so many reasons, but most of the time it was, no, this can not be the reason, because it is too intangible (Illuminati), too personal (vindication, ATV catalog, not a drugadict etc.) or not a priority for many people (environment, world peace). Unfortunately this is not on the toplist for the world. Sad but true.
I ask myself over and over again why ‘they’ wanted Michael on his knees. They almost succeeded with the terrible accusations in 1993 and 2003-2005. Why did he and his children recieved death threats. What was so important that they wanted him to keep his mouth shut?
Did he know something that he (and anyone else for that matter) were not supposed to know? I ask myself the question why the cover of Blood on the Dancefloor looks exactly like the terrible disaster scene on Sept. 11? Had his contacts in the Arab world informed him about possible attacks in the USA and the locations where this would take place? Did Michael already knew about this at an early stage? Did the contacts tell him that there were also ‘others’ involved (Illuminati? US Government?) And on the terrible day of 9/11 he was again warned from the Arab world and so he went not to the WTC at the last moment ?
Is there a possibility that Michael knows who is really behind the attacks and will he make this public when he returns? That would give a BAM for sure. Is he busy collecting evidence and making a documentary in which everybody who has inside information speaks out and where hard evidence is provided. This combined with the smear campaign conducted against him and the false accusations, which torturend him in the past 20 years. Michael is known to tape everything. My my, this would be a hell of a documentary and a hell of a Revelation!   

The family is always saying that when everything comes out the world will stand amazed. It seems to me that a case likes this will really shock the world.

I hope I'm not sounding too crazy  :-\

William Wagener Fundraising diner, September 16th


MJJIFF Mission Statement:
“Our immediate goal is to produce a true to life documentary taken from the Official Court Record and other eye witness accounts of the trial of Michael Joe Jackson during 2004 and 2005. This film will be produced for television, based on events leading up to and following the trial, in which a jury found Michael NOT guilty of all TEN felonies as well as FOUR lesser included misdemeanors.  It is the Foundation's goal to expose procedural and private errors, as well as court corruption, in the execution of Michael's case, and to prove the finding of  Mr. Michael Joe Jackson's innocence, and maintain this verdict forever. On behalf of Michael Jackson and his family and supporters, we intend to expose the corruption in the system that promises true justice for all - the very system, which continued to haunt Michael with anguish and despair in his final days of life and to support those charities that Michael Jackson supported.”

For more

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I really would like to see that damn Tom Sneddon (and not only Sneddon for that matter) behind bars.
Good that T. Mesereau and S. Yu are also attending!
Unfortunately I do not live in LA, but you can still make a donation anyway.
I really hope this documentary will be made and that it will be seen all over the world!

Nederlands / Goeiemorgen Show Q-music
« on: March 17, 2011, 06:11:14 PM »
Heeft iemand van jullie toevallig vanochtend geluisterd naar Q-music (de Goeiemorgen Show)? Kristel en Jeroen hadden (oud)burgemeester Vereecke uit België aan de telefoon die 'durfde te beweren' dat de aardbevingen in o.a. Japan en Haïti opgewekt zouden zijn door HAARP. Ook sprak hij over 9-11 en over het feit dat hetgeen we zien op tv, horen op de radio en lezen in de krant niet geheel (of in het geheel niet) strookt met de werkelijkheid. Toen Kristel en Jeroen hierop reageerden met: 'Er is ons echt nooit verteld wat wij wel en niet mogen zeggen op de radio hoor', en 'Wie hebben er dan baat bij om een aardbeving in Japan te veroorzaken?' haalde Vereecke de NWO aan en vertelde hij dat hij ooit een interview had gehad met de Telegraaf over bovenstaande zaken en dat dit interview uiteindelijk niet mocht worden gepubliceerd. Ik vond dit wel opmerkelijk. Afijn, Vereecke werd door de presentatoren echt een beetje als 'vreemde snuiter' weggezet (klinkt bekend hè) en later meldden de presentatoren ook nog dat ze verschillende sms'jes kregen van luisteraars die vonden dat er een steekje aan Vereecke los zat.
Mensen blijven liever slapen denk ik.
Hierbij de link naar het fragment:

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Pictures & Videos of Michael / Wow he really was/is amazing!
« on: December 27, 2010, 12:26:09 PM »
The last few weeks, I'm feeling a little sad, without a particular reason. No, that's not entirely true, I think I'm sad because I don't know what to expect anymore. I haven't lost hope, but the uncertainty about Michael's plans, his whereabouts, his safety, his health and the big question, if he really is coming back, or is he away from the public forever, is sometimes tearing me apart. My dream about him that I had yesterdaynight isn't surely helping me to feel better.
So, I watched some vids on youtube of him and THAT was helping me to cheer up a little bit.
Wow, he is so incredibly good!!!! And to see him dancing on music that isn't his own, is just also WOW!

Hope these vids will cheer you up also (when needed ofcourse!) Enjoy!

This one is on WOW by Kylie Minogue

This one is on Makes me lose my breath by Destiny's Child

Michael Jackson News / WOW 'MICHAEL' ALREADY IN THE MAKING IN 2009!!!
« on: December 08, 2010, 06:44:42 AM »
Hold My Hand (Duet with Akon) CREDITS:

Written by Aliaune Thiam, Giorgio Tuinfort, Claude Kelly / Published by Byefall Productions, Inc./Sony ATV Harmony (ASCAP), Piano Music/Sony ATV Tunes (BMI), Talpa Music Publishing (BUMA), Studio Beast Music/Warner Tamerlane Music Corp (BMI) / Produced by Akon for Upfront/Konvict, Giorgio Tuinfort for Piano Music / Co-Produced by Michael Jackson for MJJ Productions, Inc. / Akon appears courtesy of SRC/Universal Records, a Division of UMG Recordings, Inc. / Recorded by Mark 'Exit' Goodchild for Milk Money Consulting at Palms Studio's Las Vegas, US, Solitaire Studio's Atlanta, US, Metropolis Studio's London, UK, Wisseloord Studio's Hilversum, Netherlands and FC Walvisch Studio's Amsterdam, Netherlands / Recording Assistants: Mack Woodward, Justin Pintar, Matt Paul, Miguel Scott, Kory Aaron, Eelco Bakker and Ryan Wiese / Orchestra Recorded by Wessel Oltheten / Orchestra Recording Assistant: Dennis Krijnen / Mixed by Serban Ghenea / String Arrangement: Franck van der Heijden / All Instruments and Programming: Akon and Giorgio Tuinfort

Guys, this Michael album was already in the making in 2009!!!!! The article below is from april 16, 2009!!!!!

 Hij deed het al eens met Akon, Gwen Stefani en Lionel Richie, en probeert momenteel ook leven te blazen in de carrière van Whitney Houston, maar dat is allemaal spielerei vergeleken bij het volgende project van de Nederlandse producer Giorgio Tuinfort. De geboren Surinamer werkt namelijk aan het nieuwe album van Michael Jackon, zo weten wij uit eerste hand. MJ! Wacko Jacko! The King of Pop! The Gloved One! En daar mag die 27-jarige Nederlander dus iets voor in elkaar knutselen. Veel kan de man die ons Het land van van Lange Frans & Baas B. bracht daar nog niet over vertellen, behalve dan dat het zeker is dat zijn producties op het album komen. ‘Het album is in de maak,’ zegt hij. Volgens de geruchten doen Akon,, Chris Brown en 50 Cent ook mee. ‘Het wordt één van zijn laatste albums, dus er wordt met extra zorg en precisie aan gewerkt. Wanneer het komt is nog niet duidelijk. Maar we zijn absoluut een onderdeel van het team. We doen ons best om er iets bijzonders van te maken.’ Giorgio kreeg onlangs de Exportprijs – omdat het door hem geschreven The Sweet Escape van Gwen Stefani zo schandalig veel is verkocht – en mocht Michael Jackson al eens de hand schudden. ‘Dat was heel bijzonder. Michael Jackson is een heel zachtmoedig mens. Hij is eigenlijk alles wat je níet verwacht van zo’n superster.’
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He did it once with Akon, Gwen Stefani and Lionel Richie, and also currently trying to breathe life into the careers of Whitney Houston, but that's fooling compared to the next project of the Dutch producer Giorgio Tuinfort. The fact born Surinamese working on the new album by Michael Jackson, we know firsthand. MJ! Wacko Jacko! The King of Pop! The gloved One! And may that 27-year-old Dutchman is crafting something together. Frequently, the man who gave us the land of Lange Frans & Baas B did not tell it yet, except that it is certain that his productions on the album. "The album is in the making," he says. According to the rumors do Akon,, 50 Cent and Chris Brown too. "It is one of his last albums, so it is with extra care and precision to work. When it comes is still unclear. But we are definitely a part of the team. We do our best to make something special out of it. " Giorgio recently received the Export Award - for which he wrote as The Sweet Escape by Gwen Stefani is so much scandal sold - and if Michael Jackson ever shake hands. "That was very special. Michael Jackson is a very gentle person. It's basically all you would expect from such a superstar. "
(sorry I used a translator for this, so the grammar is not okay, but you get the point!)

Secret Michael Jackson songs??? Now way, they were in the process way before he died!!!!
What does this all mean????!!!!

Michael / Credits new 'Michael' album, not all Michael??
« on: December 08, 2010, 04:41:02 AM »
Guys, I just read the new blog of Bonnie Cox, it's about the credits for the 'Michael' album.
It's at least very interesting! I just post the link because it's a blog with several links in it, which I don't know how to copy  :oops: .

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Other Odd Things / Plans to take 'This is It' on the road??
« on: October 19, 2010, 04:02:40 PM »
I don't know if this is already posted before, if so, then please remove.

Drummer Jonathan Moffett reveals plans to take ‘This Is It’ on the road. Michael’s longtime drummer and friend Jonathan Moffett has revealed the existence of plans to take Michael’s ‘This Is It’ tour on the road. Moffett said “there is still talk of taking the ‘This Is It’ tour around the world. The entire set is sitting in a warehouse somewhere ready to go, it’s just a matter of figuring out how best to do it. Various concepts had been discussed, but they all include the entire cast of the original show, including Australian guitarist Orianthi Pnagaris. Whether we get some big name artists to sing, or Michael impersonators, or use a mix of video technology and holograms, there are plans to take the show on the road.”

” He is invincible to me. “

Moffett, who keeps in regular contact with the entire Jackson family and still works musically with siblings Janet and Jermaine, said it took him a long time to accept Michael had died. “At one point I couldn’t accept it was a reality. How could he not be here? He is invincible to me. But now it’s time to celebrate his life, legacy, and contribution to music.”

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 :shock:  :shock:

August 17, 2010 – Michael Jackson Know about Transitional?

The biggest Loan Michael’s estate has yet to deal with is the Barclay Loan for over $300 million. The estate has to pay this or get it refinanced by this fall or the Jackson Estate loses it’s share of the Sony/ATV and the Mijack Catalog. The deal with Sony for Michael’s unreleased songs for $250 million alone should be able to cover most of this. But the estate executors have no incentive to pay off this loan.

This is why:

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I highly recommend you to read the blogs of Bonnie Cox, the comments and the archives because there is lots and lots of very valuable and thoroughly recheared information about Michael's business, about Sony, Branca, Dileo, Baschir, Sneddon, you name them. I'm reading the blogs for a few weeks now (I guess) and I'm so angry about the snake pit Michael was trapped in. Please, take time to read because then you will know

Karen Faye / Moving story about Michael from Karen
« on: July 29, 2010, 04:30:06 PM »
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What More Can I Give
Michael dedicated his entire life to sharing what was in his heart at all costs. He was an expert at hiding his own pain, so he could serve others.  This is a story I wrote a while back that illustrates how many of those working on THIS IS IT, the crew and many staff, never saw his pain.  Michael was being threatened, but he also had a deep feeling of responsibility to his family and fans to bring what moments of joy he could, to a world that was experiencing so much pain, from financial strife, war and to environmental destruction.  As soon as Michael left his dressing room…it was Showtime.

Michael was headlining two benefit concerts for the International Red Cross, Nelson Mandela’s Children’s Fund, and UNESCO. MICHAEL JACKSON AND FRIENDS. The roster of performers and their entourage flew from Seoul, Korea where the first concert was held, to Munich on a chartered plane. It was such a wonderful flight because we were able to spend some time and get to know everyone. There were performers from all over the world. We arrived at the Munich Olympic Stadium in the afternoon on June 27, 1999 to prepare for Michael’s evening appearance. Michael introduced Andrea Bocelli in the late afternoon. The sun was setting. The darkness changed the entire feeling of the arena. It was a hot summer evening. The crowd had been enjoying performances by other artists all day: Luther Vandross, The Kelly Brothers, Ringo Starr… but it seemed the audience was waiting for Michael. The excitement was building. Magically, the stage was being transformed with emerging walls of lights, screens and equipment that had been created for Michael’s show, that were hidden behind the other performances. Michael Jackson, Michael Bush and myself were using the last minutes to take care some details in the dressing room, just stage right. A long check list: Microphones, wires, wardrobe changes, towels, song list, ice, Gatorade, fans, grease paints, powder. Michael did some stretches to warm up, as the lights lowered in the house. I could feel the energy of anticipation the crowd directed towards us. Any hint of Michael’s appearance created excited chaos in the crowd. He would peek out at the audience from behind the curtains. The band came up the back stairs. Michael met them for the traditional prayer joining their hands. The show began with all the frenzy and excitement that they all did. We have been doing this for many years. After I prepared for the next change, I watched from stage right. Everything was going perfectly…. the medley…Beat It…Black or White with Slash…Billie Jean. The local performers for Earth Song started filing on stage. Earth Song began… then the bridge appeared, just as it had done in Korea. The children and adults slowly entered and filled the stage. The song builds…. Michael flies up the bridge and gyrates and pounds his feet, twirls as the bridge lifts away from its braces. Smoke, explosions, bombard our eyes and ears…the bridge continues higher and higher, but unlike rehearsals, and the last show…. it didn’t pause at its pinnacle… INSTEAD it came careening down gaining speed with Michael tightly grasping the railings… still singing. I started screaming, but I could not even hear my own voice over the pyro, music, and the audience. I started running out from behind the stage in horror as the bridge quickly disappeared below the front of the stage, slamming down on the concrete floor. Security grabbed and stopped me, thinking I was going to ruin the performance. Backstage, there was crying and screaming, only the crew and performers knew there was something desperately wrong. From our vantage point we had lost sight of Michael, as the bridge had fallen below the front of the stage. My heart stopped beating, while in the strong arms of a perplexed security guard. Even though the show continued for everyone else, time stood still for me, as I could not imagine how Michael could have survived such a fall. But slowly, and after what seemed like an eternity, as the music and applause continued, I saw one arm reach for the floor of the stage…then a long lean leg, another arm, another leg…he was up, center stage… finishing the end of Earth Song! My mouth dropped open in relieved amazement. Looking dazed, he made his way to our side of the stage. “Michael, sit down….” ”NO!” He demanded. ”Security… please get him to the hospital!” I was begging. “NO!” He grabbed the microphone and ran out to finish performing “You Are Not Alone”. I could not believe what I was witnessing. He finished the song, took his final bow, and returned once again to his stage dressing room and then… collapsed. Security whisked him off to a hospital in Munich. Band members, dancers, Slash and crewmembers all shocked and amazed at what we had witnessed wrapped up the show with prayers in our hearts. Once back in the hotel… I started making the phone calls to find out how he was. I got the reports that nothing was broken, but he was badly bruised, and his back was very badly strained. It had been a miracle. Being the performer he was, he knew how to land. The next day we were to leave for Paris for a photo shoot. This had been postponed until he was better. I asked him…why did you continue? I cannot believe you were able to do that. ”You know Turkle, the only thing that I heard in my head, was my father’s voice saying to me, MICHAEL, DON’T DISAPPOINT THE AUDIENCE

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I haven't heard about that accident before. Wow, this is why we love this man so much! Always thinking about others. The confusion on his face after he felt down was heartbreaking especially when you know that he was in pain. Poor Michael.

The Memorial / Human Nature at the Memorial, also live by Michael?
« on: July 06, 2010, 04:29:45 PM »
Hi, there is something that strucks me everytime I watch the memorial and that's the song 'Human Nature', which was beautiful done by John Mayer.
Ofcourse it's totally live, with the background singers from This Is It, and an orchestra, but at 3:14 in the vid, Michael's voice is perfectly melting in in the performance (you know, the part Oh Why, oh why).
And this was sung in a way that was different from other performances I heard by Michael. Like the spoken part in 'Will you be there' with the pain/pains, it sounded like it was sung live by Michael.
It does not put anything new in the hoax, maybe just another sign he is still with us?

What could be the reason of the big delay in adding comments on the LKL blog?
The last comment that was posted is from May 28th, 2010 1:09 am ET :?:
Is there a final countdown going on 'till..................?????

Hoax Videos / Michael's voice in interview in The Netherlands??
« on: April 08, 2010, 04:32:58 PM »
OK, reading the LKL blog tonight I stumbled upon this youtube vid from RTL Boulevard (yes, again The Netherlands) with an interview with Jermaine (who is also in Holland for The Move like Michael Jackson shows on SBS6). Listen carefully at 0:36, is this Michael's voice???

It's surely sounds like him don't you think? But then, is it possible he is present there with the interviewer? What do you think? Do we have to watch The next Uri Geller tomorrow???

This message was posted by Jan on the LKL blog today, I didn't quite understand everything that has been said, but the main message is that the trial to CM must be taken out of LA county, because ALL judges take bribes over there.
See what you think:

But ofcourse I do hope and pray Michael is still with us and there is no need for a trial against CM :cry:  :cry:

Pictures & Videos of Michael / MJ Got the hots
« on: March 18, 2010, 03:02:32 PM »
I've posted this song before on the old MJKITforum, but I think it's worth to post it again!
Never heard it before 2009, because it was only released on the Thriller 25 album in Japan. He sounds really great in this song! And there is some footage in the vid I've never seen before.

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