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« on: June 19, 2011, 08:55:42 PM »
I found an Ebay seller about a month ago who has GREAT HIGH QUALITY HISTORY concert DVDs for sell! So far I've bought 4 of them and they are excellent! I had one that did not play correctly but I contacted the seller and was sent a replacement immediately. The seller is super nice and is excellent and quick with communication. This seller also has a lot of MJ interviews and other stuff on DVD for sell. Just thought I'd pass this along. It's so hard to find a seller who has quality DVDs and this seller does! Thought some of you might want some of these products in time for the two year anniversary of the beginning of the Greatest Show on Earth!!!
We love you, Mike! And YES! We will be there!!!! mj_bad/ moonwalk_/
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« on: December 25, 2010, 04:15:23 PM »
This article can be found at You are not allowed to view links.
Register or LoginLet me first start by saying this probably is not an album Michael Jackson would have put out if he were living. Jackson was pop music's pinnacle of perfectionism, and production was never a hair shy of pristine. On the other hand, it's a testament to The Man's undeniable versatility and creative genius. Jackson has songwriter credits on eight of the ten tracks, co-producer credits on five, and they are undeniably Michael Jackson songs. "Behind the Mask" is a sure-fire hit, that screams funkiness, and highlights his killer bad boy perfect vocals of the 80s. It is sure to get the world rockin' when it hits radio stations; magical music, unlike much of what is on the airwaves today. "(I Can't Make It) Another Day" is an edgy rock tune produced by Lenny Kravitz and features Kravitz on guitar. "(I Like) The Way You Love Me" is a ballad that mesmerizes with Jackson singing in tenor for this track. "Hollywood Tonight" is a solid hit with Jackson's classic vocals in the alto range. His most recently recorded track "Best of Joy" captures Jackson singing in soprano at 50 years old and he still sounds as brilliant as ever, delivering a message of eternal love. Three of the tracks feature Jackson lyrics directed at the media, one of his recurring lyrical themes. The track "Monster" is one such track where Jackson is asking the papparrazi to hold up a mirror and take a good look at the reflection. In a somewhat bizarre twist, two of the tracks, "Monster" and "Breaking News", hint at Jackson returning to haunt the media they way they haunted him in life. "Hold My Hand" - a duet with Akon - recorded in 2008, is a guaranteed hit being an anthem song of unity and love, one of Jackson's spoken themes throughout his life. One of the more emotional tracks is the tender ballad "Much Too Soon." It won't be everyone's cup of tea, but the voice is honest and pure, hovering between alto, tenor and soprano. For the younger generation and the very young who may not fully understand or even be knowledgeable in Jackson's musical genius and creativity, the album "Michael" should be a musical education for you. What made Jackson so incredibly unique was his ability to simulate every instrument with his voice. He often times would record each instrument with his voice as a demo for musicians to capture with their instruments, or sometimes "voice" the instrumental parts to them in the studio. Even more incredible, is that on many of Jackson's tracks that are a part of his legacy, there often times were actually few instruments; believe it or not, those instrumental sounds were made by the magic of his vocal cords and released as the finished product. It's something that had never been done before and likely will never be done in the future, save a miracle of finding another human that possesses that kind of talent. More commonly known is that most vocal layers were also Jackson's; no back-up singers needed.
He was an astonishing beat-boxer laying out drum tracks with his voice, thereby achieving the unique rhythm that made the whole world want to get up and dance. The rhythm was his creation, not that of a studio drummer. His soul and voice created the beat that we danced to. We once again get to hear this magic in "Behind The Mask" -"Hollywood Tonight" and in a small clip recorded over the phone for the intro to "(I Like) The Way You Love Me." The album is not perfect because the perfectionist is no longer here, but it is genius no less, showcasing versatility creatively, rhythmically and vocally ranging from alto to soprano, screams and "Michaelisms" in a way that only Jackson can deliver.
The CD's liner notes states "This album is dedicated to Michael's children, Katherine Jackson, and the entire Jackson family." The CD's liner unfortunately contains no photographs of Michael, but there are four scanned sheets of "hand written" notes from Michael. The fourth page starts with "We only live once...."
"Michael" is sure to please his multi-millions of fans around the globe and mesmerize the younger generation, many of whom perhaps have only discovered him since his untimely death. Though it doesn't live up to his previously proven perfectionism standards in production, it will, in my estimation, be a huge commercial success nonetheless. The album will be released in the United States by Sony/Epic Records on December 14, 2010. I have my copy set on "repeat" and I bet come December 14th, the album's release date, yours will be, too.
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« on: December 03, 2010, 04:48:01 PM »
I LOVE LOVE THE STAIRCASE CLIMB, ELLEN!
[youtube:b7vgi4ng]http://www.youtube.com/watch?v=TOXUAcfUCrc&feature=player_embedded#[/youtube:b7vgi4ng]
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« on: November 21, 2010, 06:01:19 AM »
[youtube:3kd65a6q]http://www.youtube.com/watch?v=PbYiY74pWQw[/youtube:3kd65a6q]
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« on: November 16, 2010, 02:20:51 AM »
'Hold My Hand,' featuring Jackson and Akon, released November 15, 2010 By GLENN GAMBOA You are not allowed to view links.
Register or Login :mrgreen: :mrgreen: :mrgreen: That's it folks! He just ended it with fine voice and...
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« on: November 15, 2010, 07:09:13 PM »
From Billboard.com Michael Jackson 'Breaking News' Song Debuts Online Written by Akon and Claude Kelly, "Hold My Hand" was recorded by the Senegalese singer/rapper and Jackson in Las Vegas in 2007. An unfinished version of the song leaked in 2008, but Akon completed the final production of the track after Jackson's death. "The world was not ready to hear 'Hold My Hand' when it leaked a couple years ago," Akon said in a statement. "We were devastated about it. But its time has definitely come; now in its final state, it has become an incredible, beautiful, anthemic song. I'm so proud to have had the chance to work with Michael, one of my all-time idols." According to the release, it was Jackson himself who wanted "Hold My Hand" to be the first single on his next project, as expressed in a handwritten letter that is now is the hands of his estate. Akon's contribution to "Michael" is not the album's only collaboration. The tracklist reveals that Lenny Kravitz is featured on the song "(I Can't Make It) Another Day," while 50 Cent makes an appearance on "Monster." Jackson served as a co-producer on the album's ten tracks.You are not allowed to view links.
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« on: October 26, 2010, 01:38:15 AM »
I can't find a way to embed this video but please listen, especially at 4:30.... This is the day of the memorial, just days after Mike "passed" and the interviewer is asking about the Memorial. She says "So about today, we've heard reports that maybe Aretha Franklin may be singing....do you know anything?" Rodney Jerkins: "I don't know. I haven't questioned anything. When he invited me....I just told him....I just told him I would be there and I can't wait to go and see what's going on." :lol: Next, he says Sony has contacted him about putting out MJ's unreleased music. This is all before the Memorial mind you. Gosh, Mike was a busy, busy man getting ready to "shock the world!" You are not allowed to view links.
Register or LoginWe love you, Michael! And YES! We will ALL BE THERE! :lol: :lol:
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« on: October 25, 2010, 09:55:11 PM »
There’s nothing that can’t be done if we raise our voice as one. ~Michael Jackson First, it’s necessary to define a new term. Medialoid (mainstream media infected by tabloid journalism) publishes content that is more suitable for tabloid publications. Proposed Michael Jackson’s Law Part 1 — Professionalization of Journalism. Many occupations require licensing; for example, doctors, lawyers, architects, and accountants must be licensed in all 50 states. To qualify, one must graduate from an accredited university and pass a rigorous board examination. A license doesn’t guarantee a doctor, lawyer, architect, or accountant will be competent. However, licensing prevents a plumber from operating on a person, a homemaker from arguing in court, a dog groomer from designing a building, or a student from maintaining the books of a corporation. Is it no less important that those entrusted with reporting world events be licensed? Reporters should not be allowed to call themselves journalists unless they graduate from an accredited university with a degree in journalism (including at least one course in journalism ethics and one course in communications and media law) and pass a rigorous board examination. Media play a huge role in our lives. Television, radio, the Internet, movies, books, and newspapers inform and influence our ideas, opinions, values, and beliefs. They shape our understanding of the world and give us the information we need to hold our leaders accountable. They help us separate fact from opinion. If formal journalism training and licensing had been required of Diane Dimond and Nancy Grace, neither would have been hired by any news organization. If either had been hired without credentials, the news company that hired them may have been fined for hiring unlicensed persons. Clearly, if Dimond and Grace had not been perceived as journalists, their works of fiction may not have confused the public. The Society of Professional Journalists believes that public enlightenment is the forerunner of justice and the foundation of democracy. The duty of a journalist is to further those ends by seeking truth and providing a fair and balanced account of events and issues. Conscientious journalists strive to serve the public with thoroughness and honesty. Professional integrity is the cornerstone of a journalist’s credibility. A journalist shall lose his or her license for failing to adhere to principles of journalistic ethics and integrity. Code of Ethics for Journalists Part 2 — Defaming the dead shall be prohibited. A deceased person’s heirs can sue for libel and slander as aggressively as the person who was defamed when he or she was alive. Part 3 — News agencies, journalists, and all media shall use public disclaimers to alert and educate readers and viewers regarding content. For example, the Food and Drug Administration protects against harmful claims that are misleading to the public. The following disclaimer must be included on products that purport to be effective but do not have FDA approval: These statements have not been evaluated by the Food and Drug Administration. These products are not meant to diagnose, treat or cure any disease or medical condition. Following is a proposed disclaimer that shall accompany all medialoid content: The views expressed herein may not have been fact-checked or verified according to principles of journalistic ethics and integrity. In addition, rumor, barely credible sources, an appeal to emotion and the use of checkbook journalism may be a part of this story or program. This story or program is for entertainment purposes only and was not reviewed by a licensed journalist. The Federal Trade Commission (FTC) protects against deceptive advertising that is misleading to the public. In like manner, a governing body shall be formed to uphold standards of ethics and integrity in journalism, oversee licensing for journalists, and protect against media practices that are harmful or mislead the public. It will take a long time and much effort to pass this proposed legislation. We need your support. Please join us by subscribing to our newsletter. Tort Law and Journalistic Ethics: Too Late For Michael Jackson—by Richard T. Karcher Professionalization: Fusion of Media Freedom and Responsibility—Why Michael Jackson’s Law Must be Passed—by John C. Merrill You are not allowed to view links.
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« on: October 24, 2010, 12:11:56 AM »
As we all know in the movie credits for This Is It, there were many "thanks" extended. Some from AEG, some from the Michael Jackson Company, and then there were FIVE people that were given this particular thanks.....> "Michael Jackson wanted to thank the Choreographers who collaborated with him on past works". Michael worked with dozens of choreographers over the decades for many different videos, but look at the five that he "Personally wanted to thank." The five people were: Barry Lather (according to the IMDB, he only worked on Michael's "Ghosts" video) Lavelle Smith (according to the IMDB, he only worked on Michael's "Ghosts" video) Anthony Talaeuga (according to the IMDB, he only worked on Michael "Ghosts" video) Richmond Talauega (according to the IMDB, he only worked on Michael's "Ghosts" video) The fifth person is Gregg Burge. He died in 1998 and according to the IMDB he only worked on Michael's "Bad" Video. And of course we know that Michael's Memorial was all about the "Bad" era. All of this information can be verified here - You are not allowed to view links.
Register or LoginMany of us on this forum (not all, but many) beLIEve that "This Is It" is a real life Thriller, the piece of work that will finally top the original "Thriller" and many of us believe that Thriller and Ghosts are connected in this "real life performance" as evidenced by the similarities in Michael's "Ghosts" video and the new Thriller footage seen in This Is it....where the zombies in both films are descending from above. The footage is identical in those clips, except in Ghosts they are still zombies and in the new Thriller short in This Is It, they are like "born again angels." Anyway, after realizing that the only choreographers who Michael wished to thank were the ones who worked on Ghosts and ONLY Ghosts, and the one deceased choreographer from "Bad", I got to thinking about the new Arno Bani "blue eyed" photo reportedly taken in 1999 (two years after Ghosts was released). And then I was further reminded of the Cover Shot for Ghosts.... Do you get where I'm going with this? :lol: :lol: 
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« on: October 21, 2010, 12:49:30 AM »
It's loooong.....but SO worth it! 8-) --The American Public Must Demand Honest Journalism.-- by Forbes Everett Landis What does our silence about the attacks on one of the most visible achievers of the American Dream say? Are we not forfeiting our children's future into the hands of bullies? Is it not time for us to speak up about the damage opportunistic journalism is doing to our culture? Last year, the news of pop-superstar Michael Jackson's premature death shocked the world. As I am a classical music fan, not a connoisseur of pop music or any of its stars, Jackson's death did not immediately evoke any particular emotion in me. I just let it go. But as the days went by, and as I passively soaked in more and more news reports on Jackson's death, I began to feel increasingly uncomfortable. A man had passed away: What need was there for the media to so eagerly show humiliating images of how Jackson would have looked on his death-bed? I was prompted to look into the case more thoroughly. After more than a year, although I am not now nor ever will be a Michael Jackson fan, and despite my sometimes skeptical view of the frenzied remarks often made by Jackson's hard-core followers, I feel the need to say this: To keep the American dream alive for our children, we should stop abusing our talented and creative spirits out of jealousy and misunderstanding. Jackson had to deal with the media condemning him as strange, weird, and even labeling him a freak, both figuratively and literally. My opinion about this is clear: Though at times, to subjective eyes, Jackson might have looked ‘different,' half of this eccentricity was due to the fact that he was born to be an artist inevitably different from others because of his imaginative and creative nature, and half because he was forced into being so unconventional by a degree of media pressure few, if any, have ever experienced. Being different from others does not equate being harmful to others. As long as one does not violate others' human rights, one has the right to be him or herself. In a society that prioritizes human rights and freedom, I find no justification for attacks on people who are perceived to be ‘different.' These kinds of attacks are especially sordid when they involve the spreading of knowingly false rumors for financial gain. After Jackson's acquittal on alleged child related charges in 2005, several journalists, such as Aphrodite Jones, came forward to confess that most of the media in attendance intentionally put objectivity aside in covering the Michael Jackson case by fragmenting the facts divulged in court, reporting only anti-Jackson information. The human race has quite often owed its scientific or artistic progress to the "weird" and the "eccentric." Let us consider, for example, Galileo Galilei, who was charged for openly discussing Copernican theory, a concept seen as sinful and roundly condemned at that time; later, of course, this theory went on to become the accepted standard of scientific understanding of the universe. We might also stop to consider how treasonable the very idea of democracy once was, how dangerous the aristocracy felt it to be; later, democracy became the world's prevailing political philosophy. We can also remember that the concept of equality between : women and men, different ethnicities, or diverse religions, was derided when it emerged. Also, had she not thought differently from others, might Mother Teresa not have been a stay-at-home mom instead of traveling to India and risking her life for humanity? Keeping the history of these exceptional ideas and people in mind, I can almost guarantee that if one had killed all the "weirdoes" among our Australopithecine ancestors 3.5 million years ago, our species might not have made it to the 21st Century. We might very well have just remained a much more primitive species, one without the use of fire and the wheel, let alone an orchestra, democracy, or computers. Is it not, after all, diversity that allows for evolution? In other words, "weirdness" is sometimes the inevitable result of an exceptional imaginative ability that sees no boundaries in search of all the creative possibilities. As long as such individuals do us no harm, we should let them be. It is our duty to be respectful of those who are different not only because every human being is entitled to freedom, but also because diversity is at the root of human survival. To those who regard Jackson's soft voice altered skin tone or facial appearance as weird, I would simply say this: You are revealing your own nature, at best : narrow-minded or obtuse ; at worst - unkind and bigoted. Nobody's holy scripture deems it acceptable to criticize the physical appearance of people who have contributed so generously to the voiceless. To those who think that the Jackson's spoken voice was peculiar, I would say that I see no significance in it. The spoken voice cannot be uncoupled from the singing voice that so many lauded. It might also be helpful for you to consider this information in order to broaden your understanding of the global context: there are countries where people respect those who speak softly, in a calm, non-aggressive manner. The American standard, where a loud voice seems necessary to assertiveness, is not the only standard in the world. To those who criticize the 'King of Pop' for purchasing Neverland, I pose this question: Would you have survived without buying a Neverland-sized residential property if you were in reality never able to explore any place alone without being horded by an ensuing media and public frenzy whenever you stepped out of your front door? A huge residence with a vast garden might have been the only possible way for this worldwide megastar to relax and enjoy some fresh air without constant intrusion from the public. After all, Jackson earned his money though incredible hard work and a perfectionist work-ethic. In light of his Guinness record-making support of no less than 39 charities, it may very well be hypocritical to criticize his spending habits. Having demonstrated that there is nothing inherently wrong with living unconventionally, the question now turns to whether or not Jackson ever harmed anyone with his behaviors. Here I will discuss the child related allegations leveled against him. --- In discussing the two instances of allegations Jackson was faced with, I would like to focus my attention primarily on the 1993 case due to the fact that the more recent (2003-2005) accusations ended with Jackson receiving a full legal acquittal on all counts, the extremely low credibility of the accuser's mother playing a significant factor in this exoneration. In other words, Jackson was found not-guilty so I believe we must discount this case. Considering that the laws of most U.S. states set down one's right to sue anyone without being counter-sued solely in retribution for one's lawsuit, this means that one can safely sue anyone they wants to sue. Thus, the extortion of popular and wealthy persons is an increasingly attractive ploy for those seeking a quick buck. Fast and easy money may once have come at a personal price, that being distrust from one's community. But, with cities growing ever larger and more impersonal, an individual's local reputation is of gradually thinning importance, resulting in more room for thievery. To some mischief minded, the risk of exposure as an extortionist might thus seem lower when compared to the potentially enormous financial benefits of a scam. As a result, a millionaire, especially one whose professional value is greatly magnified by popularity, is more vulnerable than ever. According to the National Center for Child Abuse and Neglect, in 1998, 71% of the abuse reports were revealed to be false or unfounded. The false accusation rate even rises to over 90% when a custody battle and money is involved (as was the case between the plaintiff's parents in the 1993 allegations against Jackson, who was a friend of the child's mother). In the 1993 case, the charges never went to trial but were settled out of court. The record illustrates that the financially troubled accuser's father had previously approached Jackson's representatives with a monetary request well before he sued for the alleged molestation, demonstrating that he would have refrained from filing suit in exchange for money. Would any parent with real care for the well-being of his or her children make such a deal? As evidence for my position, I present the recorded phone conversation in which the accuser's father is heard to say that everything [is] going "according to a certain plan," that he would win "big time" and that Jackson would be ruined forever. These words sounds far more like the words of a mercenary than those of a father concerned with justice for his son. It should also be emphasized that Jackson was never indicted on the 1993 allegations, even after an intensive 13-month investigation including interviews with over 400 witnesses in and out of the country, extensive searches of his residential properties, and even a 25 minute full-body examination in which Jackson had every part of his body photographed, videotaped and examined. And in the six years before the statute of limitation had expired, no criminal charges were ever filed. After the District Attorney's office spent millions of tax payer dollars in hot pursuit of the singer, had they found any evidence of molestation, they would have been certain to indict Jackson. Civil settlement does not prevent criminal indictment. The 13-year-old boy at the center of the allegations refused to testify criminally and his father, the main individual behind the allegations, committed suicide within months of Jackson's death. Having discussed the mischaracterization of what people might dismiss as "weird," and having made plain the falsity of the allegations made against Jackson, accusations that in my view look suspiciously extortionate, I would now like to consider the moral impact that Jackson might have had on our society. Regarding integrity, Jackson's deeds and lifestyle, apart from the media's fabricated stories, remained consistently appropriate. In fact, his decency made him look almost old-fashioned, even when he was young, when compared with many entertainers' indulgences in sex, alcohol, and drugs. Interviews with Jackson indicated that he felt it highly inappropriate to remark publicly on his sexual life. This, as far as I am concerned, is an example of his dignity and modesty. However, this very reserve may ironically have fueled baseless speculation about Jackson's sexual orientation. I wish to ask : is publicly questioning a person's sexual life not way more inappropriate than that person's choice of silence out of a desire for privacy regarding the same? The fact that Jackson was not involved in a multitude of sex scandals with women, a fact which should normally invite respect, seems unfairly to have been justification for the media to pathologize Jackson. It is beyond ridiculous to construct the lack of lasciviousness and scandal as itself scandalous and suspect. Many people have also remarked that Jackson did not curse at all, especially when he was younger. Only after suffering numerous hate campaigns founded on falsehoods did he insert a very small amount of profanity into his songs, in response to a world which had betrayed him so deeply. Even then, his use of profanity stayed away from vitriolic attacks , but came across more as an artistic expression of deep anguish. Jackson also faced many accusations regarding his appearance. But, turning this around, what might this suggest about those themselves who so scrutinized the way he looked? What does it say about their own biases ? And about the people who claimed to know details about every surgical procedure Jackson allegedly had, calling him a freak without even having seen him actually ? After the 2003 allegations, the media repeatedly and mockingly displayed pictures of Jackson in an emaciated state, not out of concern for his well-being, but seemingly simply in order to label him a freak. It may very well be argued that Jackson was indeed beginning to look fairly thin, but doesn't taking somebody's tired physical appearance as direct evidence of inner abnormality only reveal our own superficiality ? Maybe , just maybe anyone else would have looked equally fatigued had they suffered the anguish of having to relentlessly fight vicious and false allegations. On the topic of morality : Which is more admirable, giving people hope by regularly visiting and donating to hospitals and orphanages, or telling scandalous stories based on speculation or lies? Which is more despicable, pursuing an exceptionally rigorous dedication to artistic perfection, or giving in to jealousy and greed to bring down an artist? The tabloid press, of course, uses this strategy on most celebrities and public figures. One might argue that Michael Jackson had learned to use the press as cynically as it used him, that he , especially in the early days, once believed that "all publicity is good, even bad publicity," because it keeps their names in people's minds. One might even go so far as to say that Jackson purposely flaunted his eccentricities to generate press. He did, after all, have a fine artistic sense of the dramatic, with drama selling newspapers. And Jackson always managed to keep his fame burning bright, even when he was not producing any new songs. As elaborated below, my issue, however, is not with Jackson's handling of the media. Rather it is about what the media's handling of Jackson says about societal norms and ethics. Critics have accused Jackson of not opposing false information adamantly enough. Pondering that charge, I suspect that having been abused by the media intrusiveness from his early days in the spotlight, Jackson might have come to feel vulnerable and victimized. Having been taught by his parent always to be nice to the media and to his fans, he might have felt he should not defend himself too vigorously for fear of losing his popularity. Furthermore, had Jackson taken the time to fight every rumor thrown his way, he would not have had time to be Michael Jackson, the artist as he did explain to a close friend. In the end ,we must ask ourselves, who is more faithful and true, a person who calls someone a freak without knowing him personally and without possessing any evidence of wrongdoing, or a person who shows patience and courage in the face of hostility and simply expresses who he really is by letting his work speak for itself? Some might argue that the attacks Jackson had to suffer from the media and from consumers can be justified as a natural price to pay for the fame and fortune. No, I say. That is too high a price being charged from a human being. Those attacks had exceeded all justifiable limits, And I wish to note that he was not paid to endure pain, but for his relentless efforts and dedication to his craft. We first explored "weirdness" as necessary and beneficial diversity, specifically addressing the fact that Jackson's physical appearance and spoken pitch seem irrelevant to his achievements. We then found that allegations of unethical behavior on Jackson's part were in truth baseless. Then we analyzed Jackson's non-aggressive stance during TV interviews, not as demonstration of guilt but as a sign of decorum. Lastly, we found that the cost of fame seems an insufficient justification for the extraordinary personal attacks Jackson went through. We will now consider the implications of the behavior of the media and the public during the course of Michael Jackson's career. The American media have disgraced themselves by displaying to the world the schoolyard bullying of a talented and creative soul with great philanthropic achievements . Now consider how this public bullying of a legendary figure might present itself to a new generation of youth, how it might play out in their minds and affect their morale ... Might this type of public bullying not discourage the youngsters of today from pursuing their own creativity, their own inner diversity, for fear that they themselves might incur such abuse ? The coverage of Michael Jackson's life poses among others, these questions to America: Does fulfilling the American Dream require that one subject oneself to unending media intrusion, to lies about oneself for the sake of selling newspapers, and where one unproven accusation is enough to be convicted in the court of national opinion ? Do you want your children to live in a world where pursuing the American Dream involves the risks of a nightmare of mistrust and abuse? I refer again to the journalists who later admitted their purposely distorted biased reporting on the Michael Jackson child molestation cases. If we recall for a moment the enormous number of journalists who surrounded the Santa Barbara County courthouse, one can surmise that the handful of journalists who came clean about their deception make up only the tip of the iceberg.I suspect that there were hundreds more who remained silent and who knowingly bent the truth to sell papers. I also suppose that there are thousands of people who, having received one-sided information, once believed Jackson to be a freakish criminal, but who, after his death and the revelation of new information, have come to see him just as one of us, a burdened human being and a caring parent, as well as a uniquely talented artist and a devoted philanthropist. Perhaps these now better-informed members of the public have come to doubt the veracity of the media itself, not just when it comes to Michael Jackson, but in general. I speculate that there is a pervasive notion that it is safer to say nothing when it comes to Michael Jackson for fear of being promptly stigmatized. However, we need to address the implications of such silent behavior. What does our silence about the attacks on one of the most visible achievers of the American Dream say? If we play it safe, we are forfeiting our children's future into the hands of bullies. It is time for us to speak up about the damage opportunistic journalism is doing to our culture. As Edmund Burke once penned, "all it takes for evil to triumph is for good men to do nothing." Article Source: You are not allowed to view links.
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« on: October 15, 2010, 10:22:00 PM »
WE WON! HIS NAME HAS BEEN UNCOVERED!
Los Angeles Unified School District Press Release[/size][/color] MICHAEL JACKSON’S NAME ON DISPLAY AGAIN AT GARDNER SCHOOL AUDITORIUM Elementary School’s Most Famous Alum Recognized for His Musical Legacy October 15, 2010 Los Angeles — The silver, foot-high letters gleam once again, proclaiming The Michael Jackson Auditorium at Gardner Street Elementary School in Hollywood. It is the last public school attended by Jackson—then an 11-year-old sixth grader — who was the lead in a singing group with his brothers. Three months after school started, Motown released their debut album “Diana Ross Presents the Jackson 5.” And, the young entertainer was on his way to becoming an international star. “It’s important for the District to value the artistic impact and humanitarian contribution that will be the lasting legacy of Michael Jackson,” said Los Angeles School Board member Steven Zimmer. I’m happy that we will be recognizing and appreciating Michael’s LAUSD moment.” The sign was originally unveiled at the then newly-refurbished auditorium in 1989. However, when the King of Pop was charged with child molestation, the sign was covered with layered board. For the record, the entertainer was never convicted. After his death last year fans began a campaign to have his name revealed. At the direction of Los Angeles Unified School District Superintendent Ramon C. Cortines, the tribute was uncovered today. “In recognition of Michael Jackson’s musical legacy and contribution to modern culture I have directed our maintenance and operations department to remove the layered board covering the tribute to Mr. Jackson at Gardner Street Elementary School in Hollywood,” said LAUSD Superintendent Ramon Cortines. Official Los Angeles Unified School District press release on the uncovering of Michael Jackson's name: You are not allowed to view links.
Register or Login-------------------- Tweets from taj and jodi about this! tajjackson3 You guys.. this is just the beginning. With all your help, we can do so much more. @HelpUncoverMJXx realized that and never gave up. 12 minutes ago via TweetDeck jodigomes Very proud of the fans and @HelpUncoverMJXx team in a job well done. Kudos to all of you and @tajjackson3 24 minutes ago via web
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« on: September 30, 2010, 05:00:13 PM »
This video is beautiful - a documentary from his fans...absolutely beautiful.... I don't know why the whole world doesn't feel this for Michael. He has truly changed the world in a way no one before him or after him ever will. We love you, Michael! And YES! We will be there! Whenever you're ready.... [youtube:35k84tib]http://www.youtube.com/watch?v=EEp6Vns_7Qo[/youtube:35k84tib]
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« on: September 27, 2010, 07:21:27 PM »
From the Chicago Tribune Was Michael Jackson a genius? No doubt about it, according to experts who convened over the weekend at the Harold Washington Library Center to explore the topic. For more than three uninterrupted hours, the Jackson aficionados played audio tracks, showed video, traded anecdotes and otherwise analyzed one of the most prolific careers in American music – albeit one cut short by the singer-songwriter's tragic death last year, at age 50. With a throng of Jackson admirers queuing up an hour in advance on Friday night, the connoisseurs were preaching to the choir – and they did not shy away from the "g" word. Register with Chicago Tribune and receive free newsletters and alerts >> "He IS a genius," proclaimed reissues producer Harry Weinger, refusing to revert to past tense. By way of proof, Weinger played tracks from early Jackson recordings – many still unreleased – drawing from Weinger's work on forthcoming Motown and Jackson 5 catalog reissues. In one excerpt after another, listeners heard Jackson as a child, singing with remarkable prodigiousness. The most shattering cut was an a cappella version of "Never Can Say Goodbye," a pre-teen Jackson phrasing like a master. Without the benefits of instrumental or rhythmic support, Jackson easily keeps time, but he also finds ways to stretch it. He unerringly holds his pitch, until he decides to bend it, for expressive purposes. The yearning intensity of Jackson's tone, the disarming "oohs" and "aahs" he improvises at key moments in the song, the silvery clarity of his high-pitched voice simply defy rational explanation. No one under 12 can sing with such craft, ardor and musical wisdom without the benefit of extraordinary gifts. Jackson's talents, of course, eventually made him an object of adoration around the globe, the crushing attention perhaps explaining some idiosyncracies of his personality. "The guy was painfully shy," said keyboardist Greg Phillinganes, who recorded and toured prolifically with Jackson. "You may wonder, 'How could he be so shy?'" asked Phillinganes, pointing to a performer who appeared fearless on stage. "If you were chased (by fans), and you had to run for your life, if that's what you experience from 11, you would be a little different, too." The real Michael Jackson, explained Phillinganes, was the man who stood before the microphone – particularly in the recording studio – and let all that glorious music flow out of him, without qualm or inhibition. When Jackson was recording "She's Out of My Life," with Phillinganes on keyboard, they kept reworking and refining the performance, the pianist remembered. "And at the end of every take, he'd cry," said Phillinganes. "And it was real." All the panelists in the symposium, which was organized by the Center for Black Music Research at Columbia College Chicago, concurred that Jackson was thoroughly "hands-on" in recording sessions. Though he didn't play instruments – with the exception of a rare turn on drums – he routinely "would sing percussion parts and bass lines" and other musical details, recalled singer Siedah Garrett, who wrote "Man in the Mirror" with Jackson and duetted with him on the single "I Just Can't Stop Loving You." Yet for all Jackson's involvement with musical and production aspects of his recordings, he often would playfully wreak havoc in the midst of sessions. "Michael would make it his business to make other artists mess up," recalled Garrett, with a laugh. "He would sing his part. Then when I would sing my part, he would throw peanuts or something at me. "And Q (producer Quincy Jones) would say (to Garrett), 'You're wasting studio time!' " The cumulative effect of all these insider recollections and newly unearthed recordings proved quite moving, especially to those in the audience who already revered Jackson. "You gave me the soundtrack to my life," one observer told those on the stage, a lineup that included Jackson drummer Ricky Lawson and former record executive Ed Eckstein. Toward the end of the evening, 79-year-old Oscar Walden Jr., a Chicago TV and radio producer, got up from his seat in the crowd and, leaning on his cane, prepared to read a poem he had written for Jackson. "I love Michael," he told the crowd, which fell to a hush. "He was a genius." You are not allowed to view links.
Register or LoginFrom the comments it looks like TEAM MJ is hard at work. We love you, Michael! And YES we will be there! 
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« on: September 22, 2010, 12:11:30 PM »
Hey everyone, if you're not registered on facebook, could you please join and become a fan of Michael's on facebook. If you're already registered, can you make it your mission to get ten friends to join and add him as a friend every week or even every month. He is the leader of course, but Lady Gaga is gaining on him everyday. We CAN'T let that happen. We must SUPPORT OUR KING! You can keep up with the leader board here every day...and just click on his link to add him as a friend. He is #2 all time, only behind Texas Hold'em Poker. You are not allowed to view links.
Register or LoginThanks everyone! We're on a Mission to prove his popularity and all these jokes of articles that try to claim only "middle aged and beyond" are fans! :evil:
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« on: September 20, 2010, 07:35:58 PM »
Jackson Estate Licenses Virtual 'Planet Michael' The man who made the moonwalk famous is getting a planet of his own. The Michael Jackson estate has entered a licensing deal with a Los Angeles company to create an online virtual world based called "Planet Michael." The planet will live inside the Entropia Universe, a so-called "massively multiplayer online" game with about 100,000 active users. It is run by the Swedish company Mind Ark. The estate will work with game publisher SEE Virtual Worlds to develop the game for release in 2011. In it, fans will be able to collect and trade virtual Jackson merchandise, and earn credits by performing challenges related to his music and dance moves. As in other virtual worlds, players who want to buy more credits can replenish their game accounts using real money. Copyright 2010 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed. You are not allowed to view links.
Register or LoginGosh, I think "BACK" is right. This isn't a comeback - it's a TAKEOVER! :lol: :lol:
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