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LoginBrown dances as if he were rewriting the laws of physics with his feet. He throws himself to the floor like a revival preacher caught up in the Holy Spirit, then pops up and shimmers over to the microphone. In close-ups, his legs are a blur.
Watching Brown's three-cape collapse-and-resurrection exit that concludes his four-song set shows why Michael Jackson was so eager to find a bootleg copy of the show while working on Thriller in 1982.
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