0 Members and 1 Guest are viewing this topic.
Quote from: "~Souza~"Quote from: "scorpionchik"FBI all over the hoax from A to Z with his plan, then no numerology would be used, or no FBI at all. Because?Because the numerology fits with the Michael's longtime ago planned hoax only (in which case he realized hoax with his friends rewarding couple of doctors and paramedics, and real corpse would be used here) and FBI will NOT follow Michael's hoax plan. Michael is NOT FBI's boss. We can't downgrade authorities, they will do their job to save person, but they will not follow that person's directions and they don't care who is it. They have enough power to realize hoax without other body and numerology, they have their hoax plans in reserve. The haox purpose to fool MJ enemy, then the "fact he died" is more than enough for them to get buy the hoax. why humerelogy, I don't see the point to waste time following exact times, unnecessary stress. Look at the hoax as a very serious operation, not the hide find seek game.
Quote from: "scorpionchik"FBI all over the hoax from A to Z with his plan, then no numerology would be used, or no FBI at all. Because?
FBI all over the hoax from A to Z with his plan, then no numerology would be used, or no FBI at all.
Quote from: "scorpionchik"Quote from: "~Souza~"Quote from: "scorpionchik"FBI all over the hoax from A to Z with his plan, then no numerology would be used, or no FBI at all. Because?Because the numerology fits with the Michael's longtime ago planned hoax only (in which case he realized hoax with his friends rewarding couple of doctors and paramedics, and real corpse would be used here) and FBI will NOT follow Michael's hoax plan. Michael is NOT FBI's boss. We can't downgrade authorities, they will do their job to save person, but they will not follow that person's directions and they don't care who is it. They have enough power to realize hoax without other body and numerology, they have their hoax plans in reserve. The haox purpose to fool MJ enemy, then the "fact he died" is more than enough for them to get buy the hoax. why humerelogy, I don't see the point to waste time following exact times, unnecessary stress. Look at the hoax as a very serious operation, not the hide find seek game. Yes I agree with you almost completely. I just cannot explain the 333 pages of FBI files released by the FBI on 12/21 though. That's spooky, just-not-right, weird, and it's unexplainable as just a "coincidence". Additionally, MJ could never pull off a hoax of this magnitude with a TRIAL attached to it, by himself without involving very high up assistance (the feds), and most likely from the FBI, as they would retain jurisdiction over local and state police and fire. I know this is a hoax, so he had to have help from somewhere. This is why I am receptive to the FBI involvement theory.
So I am back at my previous question: was there an ambulance at all on June 25?
Next is the FBI “Fake Funerals, Empty Caskets” article, conveniently dated 9-3-2010 which is the one year anniversary of MJ’s fake funeral and empty casket burial! “It’s a morbid tale involving phony death certificates, staged funerals with paid actors, and coffins buried with no bodies, but in the end, it’s just a financial fraud scheme like thousands of others we investigate every year. Earlier this month in Los Angeles, the fourth and final member of an insurance fraud ring was convicted in federal court.” You are not allowed to view links. Register or Login
You know, I really don’t think there was. I agree that there would be just be too many factors to take into account if this hoax was staged “live” on June 25th - the ambulance portion with 911 call. So it does seem likely that this was filmed and the 911 call pre-recorded before anyone thought Michael lived there. Where it was "filmed" Andrea? At Staples Center?So if anyone could successfully pull off a fake death, it would be the FBI. They investigate this stuff and know the ins and outs of what needs to be done and the best way to do it. Only they can get away with it because they’re the FBI. Exactly, therefore I wrote above some important statement you should count. - The helicopter crew are actors (just look at the action footage!) including an actor under the white sheet on the stretcher who sits up nicely for everybody keeping a close eye.There is NO ACTORS if FBI is involved. Jeeze!- The when it’s Michael Jackson and the FBI clueing you in. Why FBI needs cluing us? Are you people really believe that FBI is a Hollywood or some kind of cheap club of morons....? You have to be careful what you are talking about. Help Michael to hoax under Michael's direction/hoax plan to make sure all numerology is met, then make sure to give us clues, but also make sure Michael's enemy's did not get this is a hoax, what else....? You are controversing theories all over. People, be serious.
Quote from: "Sarahli"If there was a hospice patient on life support in the room then what do we do with the statement about the room being heated? What would be the need to do that? And who turned off the medical devices? Have you read the Allegory of Merlin?You are not allowed to view links. Register or Login
If there was a hospice patient on life support in the room then what do we do with the statement about the room being heated? What would be the need to do that? And who turned off the medical devices?
Quote from: "Andrea"You know, I really don’t think there was. I agree that there would be just be too many factors to take into account if this hoax was staged “live” on June 25th - the ambulance portion with 911 call. So it does seem likely that this was filmed and the 911 call pre-recorded before anyone thought Michael lived there. Where it was "filmed" Andrea? At Staples Center?So if anyone could successfully pull off a fake death, it would be the FBI. They investigate this stuff and know the ins and outs of what needs to be done and the best way to do it. Only they can get away with it because they’re the FBI. Exactly, therefore I wrote above some important statement you should count. - The helicopter crew are actors (just look at the action footage!) including an actor under the white sheet on the stretcher who sits up nicely for everybody keeping a close eye.There is NO ACTORS if FBI is involved. Jeeze!- The when it’s Michael Jackson and the FBI clueing you in. Why FBI needs cluing us? Are you people really believe that FBI is a Hollywood or some kind of cheap club of morons....? You have to be careful what you are talking about. Help Michael to hoax under Michael's direction/hoax plan to make sure all numerology is met, then make sure to give us clues, but also make sure Michael's enemy's did not get this is a hoax, what else....? You are controversing theories all over. People, be serious.
There was no ambulance ride on June 25th. TMZ reported at 1:30 pm that Michael had suffered cardiac arrest and was at UCLA. People start showing up at UCLA as the word spreads and it’s just taken for granted that Michael is in fact there. But that ambulance never showed up – nobody at the hospital sees anything as there is nothing to see. Maybe someone at UCLA had been contacted by the FBI. The FBI say for security/safety reasons, people are to believe Michael Jackson arrived at UCLA in an ambulance and dies there. The UCLA contact (Doc Cooper) either knows Michael is alive or thinks he is dead in another hospital but his actual location is really being kept secret, according to what the FBI is saying.
Although I have no problem at all if a real corpse was being used, there just are some things bothering me with it. The people that had to be fooled would be the public and the media. Since we haven't seen a body at all, the body was not used to full us or the media. So the reason to use a real corpse has to be to fool the paramedics and the doctors at UCLA and I have trouble believing they would be fooled enough to work on that body for 2 hours while they must have seen (as also testified by both paramedics and doctor Cooper) that it was dead already. If the doctors (I guess there were just two at the prelim to testify, Cooper and Nguyen) would not be in and you deliver a dead corpse at the hospital, the chance of them pronouncing the patient dead within 5 to 10 minutes would be big. Doctors are no morons, they know a dead person when they see one. The chance that the time of death would NOT fit into the well planned numerology would therefore be WAY bigger, than that they would call it at 2:26 pm, as planned. You could say they did call it earlier and the FBI changed the TOD on the papers, but in that case we have a doctor who is being kept out of the loop, has to testify and there is a very likely possibility that that subject would come up, since the doctor is not going to lie about that just like that. If she would, it would mean that the FBI has asked her to go along with it for whatever reason, and if they had to do that anyway, why not from the start? So no need to fool the docs.If a real corpse was used, there are two options:1-Person died before June 25 and was preserved (donor body)2-Person died on June 25 in the morning, before 911 was called (Assisted suicide/pulling plug out of life support machines)In both cases the paramedics AND the doctors at UCLA must have seen that the person was dead, as in really dead without chances of reviving. Rigor Mortis and Algor Mortis are not the only stages of death, there is more to determine whether someone is dead and for how long. Algor Mortis (cooling of the corpse) can be manipulated with the heated room, yet that same heated room will make Rigor Mortis set in quicker, even if a body was cooled first. The condition of the patient is also important for the onset of Rigor Mortis. A 'sick, old, frail' man will show rigor way sooner than a person with more body fat and muscles. So by heating the room they might have prevented Algor Mortis, but they sped up the Rigor Mortis. You can 'break' rigor, but not on the eyelids, you will damage the tissue visibly.
Selective perception may refer to any number of cognitive biases in psychology related to the way expectations affect perception.For instance, several studies have shown that students who were told they were consuming alcoholic beverages (which in fact were non-alcoholic) perceived themselves as being "drunk", exhibited fewer physiological symptoms of social stress, and drove a simulated car similarly to other subjects who had actually consumed alcohol. The result is somewhat similar to the placebo effect.
At first glance much of the book may appear unstructured and chaotic; Joyce once said that he had "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant", which would earn the novel "immortality".The two schemata which Stuart Gilbert and Herbert Gorman released after publication to defend Joyce from the obscenity accusations made the links to the Odyssey clear, and also explained the work's internal structure.Every episode of Ulysses has a theme, technique, and correspondences between its characters and those of the Odyssey. The original text did not include these episode titles and the correspondences; instead, they originate from the Linati and Gilbert schema. Joyce referred to the episodes by their Homeric titles in his letters.
Conflict and Character within Story StructureThe Basic Three Act StructureThe simplest building blocks of a good story are found in the Three Act Structure. Separated by Plot Points, its Act 1 (Beginning), Act 2 (Middle), and Act 3 (End) refer not to where in time in the story they lie but instead fundamental stages along the way. * In the Beginning you introduce the reader to the setting, the characters and the situation (conflict) they find themselves in and their goal. Plot Point 1 is a situation that drives the main character from their "normal" life toward some different conflicting situation that the story is about. Great stories often begin at Plot Point 1, thrusting the main character right into the thick of things, but they never really leave out Act 1, instead filling it in with back story along the way. * In the Middle the story develops through a series of complications and obstacles, each leading to a mini crisis. Though each of these crises are temporarily resolved, the story leads inevitably to an ultimate crisis—the Climax. As the story progresses, there is a rising and falling of tension with each crisis, but an overall rising tension as we approach the Climax. The resolution of the Climax is Plot Point 2. * In the End, the Climax and the loose ends of the story are resolved during the Denouement. Tension rapidly dissipates because it's nearly impossible to sustain a reader's interest very long after the climax. Finish your story and get out. Character Arc and Story Structure * Act 1 Character Arc o In the Beginning of a story the main character, being human (even if he of she isn't), will resist change (inner conflict). The character is perfectly content as he is; there's no reason to change. * Plot Point 1 – Then something happens to throw everything off balance. o It should come as a surprise that shifts the story in a new direction and reveals that the protagonist’s life will never be the same again. + In Star Wars this point occurs when Luke's family is killed, freeing him to fight the Empire. o It puts an obstacle in the way of the character that forces him or her to deal with something they would avoid under normal circumstances. * Act 2 o The second Act is about a character’s emotional journey and is the hardest part of a story to write. Give your characters all sorts of challenges to overcome during Act 2. Make them struggle towards their goal. o The key to Act Two is conflict. Without it you can’t move the story forward. And conflict doesn’t mean a literal fight. Come up with obstacles (maybe five, maybe a dozen—depends on the story) leading up to your plot point at the end of Act 2. + Throughout the second act remember to continually raise the stakes of your character’s emotional journey. + Simultaneously advance both inner and outer conflicts. Have them work together—the character should alternate up and down internally between hope and disappointment as external problems begin to seem solvable then become more insurmountable than ever. + Include reversals of fortune and unexpected turns of events—surprise your reader with both the actions of the main character and the events surrounding him. * Plot Point 2 o Act Two ends with the second plot point, which thrusts the story in another unexpected direction. o Plot Point 2 occurs at the moment the hero appears beaten or lost but something happens to turn the situation around. The hero's goal becomes reachable. + Right before this unexpected story turn, the hero reaches the Black Moment—the point at which all is lost and the goal cannot be achieved. # In order to have a "Climax", where the tension is highest, you must have a "Black" moment, where the stakes are highest and danger at its worst. # During this moment, the hero draws upon the new strengths or lessons he's learned in order to take action and bring the story to a conclusion. * Dorothy’s gotta get a broom from the Wicked Witch before she can go home. * Luke’s gotta blow up the Death Star before fulfilling his destiny. * Professor Klump’s gotta save face with the investors of his formula and win back Jada. * Act 3 o The third Act dramatically shows how the character is able to succeed or become a better person. o Resolution/denouement ties together the loose ends of the story (not necessarily all of them) and allows the reader to see the outcome of the main character’s decision at the climax. Here we see evidence of the change in a positive character arc. Story Structure & the BuddhaGreat novels—great stories—existed long before there were books about something called Story Structure. The pattern of an enchanting yarn has been recreated again and again through time and around the world in myths and tales. The rhythm of these stories that so captures our imaginations reflects not marketing trends but our collective struggle through life. Things that deeply resonate do so because they tug at our inner workings. Structure is not a prison—use tips and advice on it only as a map, but go down deep within yourself to find the road. Finding the road is the most pleasurable part of writing. A Word on PlotDon't let your focus be the Plot, which is the series of events and situations that occur along the route of your story. The Plot is a natural outcome of the seeds of your story—it emerges from your setup of the characters, their conflicts and the setting they occur in. You'll write a more powerful, believable story if you focus on seed planting long before you worry about the harvest.
Book of Five Rings by Musashi Miyamoto
The Coroner Takes Away Michael's Medicine
